Using mostly photography, collage, colour and text, Camille Aboudaram has developed a visual language of faux-naif humour and fiction, where her work can disguise its true obsessions, addressing a range of issues within a political field.

Mostly, she works around the themes of vulnerability, neoliberalism, pharmaceutics and the relationship between capitalism and the public sphere. She strongly defends accessible art both through its language and public placements as well as through an alternative arts education.